WARP Conference Reflections 2016

International Folk Art Market in Santa Fe
International Folk Art Market in Santa Fe Photo Credit Bridget Thompson

This year WARP’s annual meeting was held at the Immaculate Heart of Mary Retreat Center in Santa Fe, New Mexico. We were extremely fortunate to be staying just down the road from the International Folk Art Festival!

The two recipients of the Alice Brown Memorial Scholarship that attended the meeting this year were Bridget Thompson and Carrie Miller. In this post, we will share our experiences of the meeting and a little bit about ourselves!

Immaculate Heart of Mary Chapel
Immaculate Heart of Mary Chapel                   Photo Credit Bridget Thompson

Bridget Thompson at International Folk Art Market                                 Photo Credit Bridget Thompson

Bridget Thompson is from Marin County, California. She recently graduated from Lewis and Clark College with a BA in Anthropology. Her senior thesis was titled, Fashion Conscious: Sustainable and Ethical Textiles in the Guatemalan Highlands, and focused on the interaction between contemporary designers and traditional artisans. Now back in San Francisco, she is working for local retailers, and pursuing fashion development and production that champion radical transparency as well as vertically integrated business practices.

Bridget’s comments about the conference were:

“It was an incredible opportunity to have been a part of the conference and to have visited the International Folk Art Festival as part of an ongoing education in textiles. Visiting the market and seeing all of the arts and crafts, and the traditional clothing of the participants, as well as the various countries they were coming from was impactful. I would like to extend a HUGE thank you to WARP and all of its members for having me this year. I learned so much while in Santa Fe, and not to mention, had a truly fantastic time exploring the area and getting to know the members. You all are so wonderful!”

Carrie Miller
Carrie Miller

I (Carrie) am an MFA student at Colorado State University focusing in Fibers. My academic and professional work revolve around education and women. I’m very interested in the intersections of new technology and traditional methods.

My experience of the WARP meeting was defined most by the opportunities it gave me to meet many members and learn about their incredible work. I was overwhelmed by the group’s generosity in helping me think through my aspirations.

Members of WARP sharing on the Lawn
Members of WARP sharing on the Lawn

As an artist, and as an educator working with girls, I felt inspired to see so many examples of women and children being supported through textile work. One of my dreams is to use textiles as a medium for development and prosperity in the lives of teenage mothers. I was excited to hear how Weaving for Justice and the Cuzco Center for Traditional Textiles are providing opportunities for women to be part of the preservation of their traditions while developing their economic stability. I still don’t know what this dream will turn into, but I believe that it is possible.



Bridget and I would like to extend our gratitude to WARP for giving us the opportunity to experience the 2016 Annual Meeting and the International Folk Art Market. We learned so much!


I am very excited to currently be interning with WARP and working on getting the word out to prospective young members. If you are interested in writing a blog post for WARP please send me an e-mail at carriemiller24@gmail.com.

We welcome any fiber related topics!


First Annual WARP Board Art Raffle!

Karen Searle's Mini Wire Woman says "Pick me!"
Karen Searle’s Mini Wire Woman says “Pick me!”

Announcing the First Annual WARP Board Art Raffle!

Want to help support WARP’s work and have fun at the same time?  For the First Annual WARP Board Art Raffle, our board members have all generously donated artworks they created in order to raise funds to help support our organization.  Click HERE to order your tickets today!

Here’s the deal – see the gorgeous pictures on the website, read about the inspiration behind each piece.  Then decide how many tickets you want, and give us your order!  Tickets are $5 each, or $20 for 5, and you decide which artworks you want to take a chance on.  Winning tickets will be drawn at the Annual Meeting in Santa Fe, NM on July 11, 2016 at approximately 7PM MDT.  Help support the work of Weave a Real Peace, and have fun doing it!

Profiles: 3 WARP Members Helping Artisans Reach IFAM

by Mary Anne Wise 

Carmen Garcia Maldonado at IFAM in 2015, posing with 2 artisans from Niger.
Carmen Garcia Maldonado, center, poses with artisans from Niger at 2015 IFAM. Photo by Mary Anne Wise.

The occasion of the WARP annual meeting at the International Folk Art Market is an opportunity to examine the organization’s mission in action. This blog introduces you to 3 WARP members who help IFAM artisans access opportunities. If you work with global artisans and have wondered about participating in the IFAM, I encourage you to seek out the 3 members listed here to learn about their path to Santa Fe.

In addition, I’m seeking information about other WARP members who assist global artisans access the extraordinary IFAM opportunities. Please reach out to me, Mary Anne Wise, or the WARP administrator! Let us know about your work: we’re a small group and sharing knowledge and networks can benefit all of us.

Guatemala: https://www.folkartalliance.org/artist/glendy-emiliana-muj-mendoza-de-barreno/

Assisting WARP Members: Jody Slocum & Mary Anne Wise of Cultural Cloth (www.culturalcloth.com)

Participating IFAM Artist: Yessicka Calgua Morales will represent the rug hookers of the Cooperativa de Alfombras de Mujeres Maya en Guatemala. The Cooperativa is returning to the Market for it’s third year.  Rug hooking was introduced to a group of Maya artisans in 2009 by Cultural Cloth partners Jody Slocum and Mary Anne Wise as a way to access income earning opportunities. The women design and hook one of a kind rugs using patterns extracted from their traje (traditional clothing) or Semana Santa alfombras (street rugs created for Holy Week). Recognized for their innovation and artistry, the women’s hooked rugs have enjoyed international acclaim (including being short listed as 1 of 15 finalists in the Aspen Institute’s Alliance for Artisan Enterprise’s 2015 global competition). To learn more about the Maya women’s path to the IFAM, find Mary Anne Wise or Jody Slocum at the WARP meeting or in the rug hookers booth during the market.

Kbira Aglaou of the Association Timnay, Morocco
Kbira Aglaou of the Association Timnay, Morocco

Morocco: https://www.folkartalliance.org/artist/kbira-aglaou/

Assisting WARP Member: Susan Schaefer Davis of Marrakesh Express

Participating IFAM Artist: Kbira Aglaou will represent the Association Timnay of Morocco for their first market experience. The Association’s weavers create rugs that an “essential part of life using designs that are passed down from one generation to the next”. It’s the first market for the Association, but not for WARP member Susan Schaefer Davis who has assisted weavers in two Moroccan villages since 2001, selling their work pro bono through her online site, and organizing  cultural and textile tours to Morocco as well as helping many IFAM artists from Morocco at previous markets.  To learn more about Kbira’s path to the IFAM, find Susan Schaefer Davis at the WARP meeting or in the Association Timnay’s booth during the market.

Nilda Callanaupa Alvarez Eulogia Quispe Huaman
Nilda Callanaupa Alvarez

Peru: https://www.folkartalliance.org/artist/nilda-callanaupa-alvarez-and-lidia-callanaupa-alvarez/

Assisting WARP Member: Marilyn Murphy of Cloth Roads

Participating IFAM Artists:  Nilda Callanaupa Alvarez and Eulogia Quispe Huaman. Nilda is founder and director of the Center for Traditional Textiles of Cusco (CTTC). Nilda has participated in each Market since 2005. She has been recognized by the Aspen Institute’s Alliance of Artisan Enterprise Hero Award, hosted two international weaving conferences with a third conference scheduled for 2017. Marilyn Murphy of ClothRoads serves on the Board of Andean Textile Arts, a U.S. non profit dedicated to supporting the people and communities of the Andes to preserve their textile traditions. Through her participation with Andean Textile Arts, Marilyn works directly with CTTC including co-curator of the exhibit, Weaving Lives: Transforming Textile Traditions in the Peruvian Highlands at the Avenir Museum of Colorado State University in 2013.

To learn about Nilda’s path to the IFAM, speak with Nilda at her booth at the IFAM, or connect with Marilyn who will present a discussion about her work at the WARP annual meeting.

I look forward to meeting you at our 2016 Annual Meeting in Santa Fe.  You can find me at Cultural Cloth.


Seeds for Fiber and Food: Keeping them in the hands of the People

By Gail Ryser

Amaranthus cruentus - Flowering plant species yielding amaranth grain
Amaranthus cruentus – Flowering plant species yielding amaranth grain

At this year’s WARP Annual Meeting Kathleen Vitale’s presentation Challenges of Documenting the Maya Textile Tradition sparked a lively discussion on the effects of Monsanto’s seed policies for growers of indigenous brown cotton. This is in response to that discussion.

I am a seed saver and have been doing so for most of my life. In the past I collaborated with scientists at the Instituto Peruano del Algodon in Peru for their quest to preserve the genomes of Peru’s native colored cotton varieties. These days I save seeds from my vegetable garden and from the native plants that grow in my yard and around my neighborhood. I am able to share these with neighbors or other garden enthusiasts at our local food bank seed swap events.

Saving seeds and sharing them with others has been an important practice that helped sustain us as a species for thousands of years, since the beginning of agricultural practices. Through seed saving practices, gardeners, small-scale farmers, agriculturalists and eventually small, independent seed companies specialized in open pollinated plant and crop varieties that were well suited to local environments. These practices also created a vast array of crop varieties and allowed communities to conserve, preserve, grow, and promote local seed diversity and cultural heritage.

Alarmingly, since the early 1900’s in the US, we have witnessed a 75% to 90% decline in crop diversity. This is a problem! Diversity is like an insurance policy against extinction. The loss is due in part from advances in biotechnology resulting in GMO (genetically modified organism) and hybrid seeds and multinational corporations absorbing independent, regionally based seed companies while at the same time gaining monopolies on seed and seed distribution. These corporations use the notion of intellectual property rights to gain patent rights on crops containing modified traits. This directly affects the farmers who, no longer are allowed to exercise sovereignty over seeds produced in their fields without patent infringement and other consequences such heavy fines, lawsuits or in some extreme cases, imprisonment.

Seed Library at Pima County Library, Tuscon, AZ
Seed Library at Pima County Library, Tuscon, AZ
Seed Library at Pima County Library, Tuscon, AZ
Seed Library at Pima County Library, Tuscon, AZ











Seeds are the first step in our fiber and food systems. Whoever controls the seeds controls the access. I recently attended the 1st International Seed Library Forum1 held in Tucson, AZ. This movement is gaining momentum in the US and across the globe; North America has over 300 recognized seed libraries. A seed library has many elements in common with a traditional book library. Patrons check out seeds. While each library will have its inherently individual focus specific to the community it serves, seed libraries have in common these 3 universal motivations: 1) biological diversity, 2) food access and security, and 3) culture, community and the role of story.

Abutilon abutiloides - Desert Mallow seed head
Abutilon abutiloides – Desert Mallow seed head

At risk is our sovereign right to collect, to save, and to share seeds and their stories. The fight to control access to seeds goes beyond monopolies of multinational corporations and is coming to our back yards. Last year a seed library in Pennsylvania was closed due to the misapplication of commercial seed laws. Other libraries face similar regulatory challenges. If those laws were applied in the state where I live I would be arrested for sharing seeds with my neighbors or donating to the seed library.

There is no doubt in my mind the importance of maintaining biological diversity and creating regionally specific varieties. Just as there is no doubt in my mind the importance of safeguarding our food and fiber seeds to ensure that there will be a future of both biological and cultural heirlooms grown from our fields of today.




  1. http://www.library.pima.gov/browse_audience/browse-audience-seed-library/


Other links:


Learn Wedge Weaving!

CorsiniAfterglowCome and learn from Deborah Corsini about how to use this simple technique that is a prominent design feature of many Navajo rugs. Using primarily natural dyes for her work, Deborah will discuss how she uses color choices and the weave structure to develop her amazing woven compositions. Notice how the edges of the weaving contribute to the dynamic flow of this piece? Participants will have the opportunity to try their hand at wedge weaving and to interact with Deborah who was the former curator of exhibitions at the Quilt and Textile Museum in San Jose. With an impressive record in the textile field, Deborah is a great asset to the textile community of the Bay area. No experience necessary to participate, all you have to do is sign up as a day registrant for only $80 and you will be able to not only learn from Deborah, but also be able to listen to the amazing experiences of others who are on the ground working with textile communities around the world. For more information, check out the 2015 WARP Annual Meeting Registration Form.

Now Accepting Scholarship Applications – Deadline March 31

Each year WARP awards Alice Brown Memorial Scholarships to attend our annual meeting. Alice Brown was a generous WARP member who had the foresight to donate the funds to establish the scholarship. Now, other members are helping to make the fund both sustainable and greater in scope. Those of you who have attended meetings since 2008 know how much these special young people have added to the event.  This year we hope to award two scholarships to cover the costs of attending our meeting outside of San Francisco on May 29—31.  Since our scholarship does not cover travel expenses, candidates from the California and the west may be especially interested in applying this year.

Please also help by spreading the word that it is time to apply again! Word of mouth by the WARP membership has proven to be the best way to publicize our scholarship program.  The recipients should be 35 years old or under and be pursuing a career path related to textiles.  The ideal candidates should be either a full or part-time student, or a recent graduate.  The committee will also consider applicants pursuing non-traditional career paths. The application can be downloaded from the WARP website. Click here for details or to download a copy of the application.  Interested professors and students can also e-mail Sarah Saulson with questions or to receive the application (sfsaulson@twcny.rr.com). The application deadline is March 31, 2015.

2013 Scholarship Student, Selina Petschek, with members at the WARP Marketplace
2013 Scholarship Student, Selina Petschek, with members at the WARP Marketplace


Selina learning to spin cotton with a Tahkli drop spindle at the 2013 WARP Meeting
Selina learning to spin cotton with a Tahkli drop spindle at the 2013 WARP Meeting

WARP’s Annual Meeting: The Work of Many Hands

A textile is the work of many hands. One pair grows or gathers the raw materials. One pair turns that raw material into a usable thread, yarn, reed, or bead. Another pair transforms these materials into cloth, jewelry, or vessel. The textile is then carried to market where it will be received and treasured by another pair of hands.

An understanding of this work and its meaning to grassroots economies around the world is why WARP exists—to create a more connected textile community.  Once a year, WARP members and their guests, get together in person to swap stories, celebrate successes, evaluate failures, and make meaningful connections.  This year’s meeting was held May 9 – 11, at the Pallottine Renewal Center in Florissant, Missouri, just outside of St. Louis. Here is a brief overview of this year’s meeting.  For more photos, visit our WARP 2014 Annual Meeting Board on Pinterest and share it with your friends.  Encourage them to come next year!

Friday’s and Sunday’s programs are reserved for members only. Members who arrived by 3pm on Friday traveled to the impressive St. Louis Art Museum for a gallery talk with textile curator Zoe Perkins about the new Navajo textiles exhibit.  An evident common thread throughout the event is that networking happens everywhere—attendees were hungry to talk to others that share their passion.Navajo Textile Exhibit

The meeting officially opened on Friday evening with each attendee introducing themselves and summarizing their place in the textile community. Since members are together for such a short time, these brief introductions facilitate networking.

Networking in Action

After the introductions, the market is open to WARP members for an early opportunity to shop and talk. Conversations in the market

Saturday’s programs were open to the public.  Linda Ligon, founder of Interweave, and Joe Coca, photographer, gave a behind the scenes look at the making of Faces of Tradition: Weaving Elders of the Andes from Thrumbs Books.Joe Coca discusses the making of Faces of Tradition

This program was followed by WARP founder Deb Chandler’s forthcoming book about Guatemalan weavers, also published by Thrumbs Books, and due out in the Spring of 2015.

Deb Chandler talks about her new book celebrating Guatamalan weavers

The morning’s programs were rounded out by  Kate White and Carrie Campbell, the 2014 Alice Brown Scholarship recipients, presentations of their projects; and a short 15-minute documentary about the weavers of Paz Bolivia presented by Dorinda Dutcher.

Scholarship recipient talksAfter a morning of cerebral stimulation, it was time to get our hands dirty!  An afternoon dye potluck, hosted by board members Judy Newland and Karen Searle, featured an exploration of eco dye techniques.

Preparing bundles for eco dyeingA cochineal demonstration by Vilma and Saturino Oncebay of Peru.Karen Searle serves as translatorAnd, and indigo dyepot tended by Margaret Leininger.The work of the hand

The market reopened at 4pm for shopping, a silent auction, and an exhibit of the photographs from Faces of Tradition. After a 6pm happy hour, a short round of “exercises” was led by Irene Schmoller that were designed to loosen up everyone’s wallets—you had to be there to appreciate what great fun this was! At 7pm, WARP held its third live auction led by auctioneer and board president Cindy Lair.  Many of the beautiful textiles were modeled by WARP members.  Money raised by the two auctions will help fund WARP’s operating costs in the coming year. WARP aucationWARP's Live Auction

On Sunday morning, WARP held its annual business meeting, and there were many fond farewells.  A heartfelt thanks to Kelsey Viola Wiskirchen, and the rest of the team that put on this year’s meeting. Members time and time again say their favorite thing about WARP is the annual meeting.  It is a unique opportunity to engage with textile enthusiasts that believe in the importance of the work of the hand to communities worldwide and right in our own backyard. A contemplation of cloth

Want to learn more about WARP?  Like us on Facebook and join the conversation.




Weaving, Like Friendship, Lasts A Lifetime!

Friendship BraceletsSome life lessons come in colorful packages.  For years, Mayan Hands has successfully used the consignment model to sell their products. The Friendship Bracelet program is a creative way to harness some of the teen (13-19 years old) and tween (9-12 years old) discresionary spending power for good.

The bracelets (shown at right) are available in a wide variety of colors and styles.  Mayan Hands sends out an assortment of product along with promotional materials and ideas for how to run a successful fundraiser. The bracelets sell for five dollars, and the seller keeps 40% of the profits.  Any product that is not sold may be returned.

For those young people who are fortunate enough to have discretionary money to spend—and certainly not all young people do—the Friendship Bracelet program gives them a way to have their dollars support their peers in another country while also raising money for a collective goal. The program is also appealing to college students and church groups.

One happy mother, whose daughter sold the braclets to raise money for her school said, “This fundraiser was awesome because it taught the kids that they could help themselves while helping others. A good lesson for middle schoolers! ”

Many of the schools that sell the friendship bracelets are raising money for service trips to other countries, reinforcing the message of the friendship bracelets to the larger community. Most of the money raised by  sale of woven goods goes to support the weavers children’s need for food, clothing, and education.

If you are interested in learning more about the program, contact Kathleen Balogh by e-mailing her at kathleen@mayanhands.org or calling  (301) 515-5911.  To learn more about Mayan Hands, visit www.mayanhands.org