Recently the Cooperativa de Alfombras de Mujeres Maya en Guatemala (Maya Women’s Rug Hooking Cooperative of Guatemala) was accepted into the 2014 International Folk Art Market, July 11 – 14. We spoke to one of their delegates to this year’s market. Reyna Pretzantzin is thirty-one years old and attends Rafael Landivar University studying for her bachelor’s degree in Business Administration. She divides her time between managing the Cooperative, running a bookstore in her hometown, and working as a consultant connecting highly skilled artisans to exporters specializing in craft development. Reyna has over five years’ experience of working in product development and fair trade with indigenous Maya women. She speaks English, Spanish, and Kaqchikel fluently. Here is what she said about getting to Santa Fe.
How did you learn about the Folk Art Market?
Artisans from Guatemala have been participating in the Folk Art Market (FAM) for many years now. We learned about it from other weavers and embroiderers. It is one of the most prestigious folk art events in the world, and it has been a dream of ours to participate and share our hooked rugs with the world.
Was applying for the Market difficult?
Since I speak English, Spanish, and Kaqchikel fluently, the women could share their thoughts and ideas with me, and I could incorporate them into the application. We know that the organisers are very selective, so we worked very hard on our application and are delighted that we have been chosen.
What is the history of the Cooperative?
The Cooperativa de Alfombras de Mujeres Maya en Guatemala grew from Mary Anne Wise and Jody Slocum’s, co-founders of Cultural Cloth (www.culturalcloth.com), original rug hooking project in Guatemala. Mary Anne Wise gave her first rug hooking workshop in Guatemala in June 2009. Its success led to other workshops where she taught students more advanced techniques. In 2012, the Delta Foundation supported a Rug Hooking Teacher Training Program. A core group of seven women were trained to teach others rug hooking techniques. Today, over fifty women from six highland villages are rug hooking, and we have organized ourselves into a cooperative. Our folk art combines the art of rug hooking with design elements and colors inspired by motifs present in the traditional clothing, folklore, and culture of Guatemala.
Tell us a bit about your other delegate.
Yolanda Calgua is thirty-four years old, married with two children. She lives in the rural community of Quiejel, Chichicastenango. She has helped many women in her community realize their potential. She believes strongly in the power of women to bring about positive social change. Everyone who has met Yolanda has been struck by her energy, vitality, and motivation, she is truly an inspiring woman. Two years ago potable water came to her village. Income from the sale of her rugs allowed her to buy the faucets and piping for six families to tap into the pipe.
Of rug hooking she says, “it is a privilege to be a rug hooking teacher and bring this opportunity to women in other communities. My hope is that they can make a better life for themselves and their children.” She still remembers hooking her first rug; it was made in memory of her grandmother and incorporated designs she remembers from her grandmother’s huipil (the traditional blouse worn by indigenous woman in Guatemala). Rug Hooking is also something that fits around her life as a wife and mother.
The Guatemalan Rug Hooking Cooperative is working on setting up a website. If you would like to get in touch e-mail firstname.lastname@example.org. To see their work visit, Cultural Cloth’s website.