Joe Ben Wheat, in Why Museums Collect: Papers in Honor of Joe Ben Wheat, edited by M. S. and D. T. Kirkpatrick
Author:Ann Lane Hedlund
Category:Chapter in book
Publisher:The Archaeological Society of New Mexico
Published: 1993
Other Books From - Chapter in book
Women Weavers OnLine: Rural Moroccan Women on the Internet. In Gender and the Digital Economy: Perspectives from the Developing World. Cecelia Ng and Swasti Mitter, Eds. Chapter in book 
Why We Left 
Weaving Cooperatives and the Resistance Movement in Highland Chiapas, Mexico: Pass Well Over the Earth in Artisans and Advocacy in the Global Market: Walking the Heart Path. Jeanne Simonelli, Katherine O’Donnell, and June Nash, editors Chapter in book 
Up for Grabs: Assessing the Consequences of Appropriations of Navajo Weavers’ Patterns. In: No Deal! Indigenous Arts and the Politics of Possessions. Tressa Berman, ed. Chapter in book 
Unravelling the Narratives of Nostalgia: Navajo Weavers and Globalization. In Indigenous Women and Work: From Labor to Activism. Carol Williams, ed. Chapter in book 
Three Southwestern Textile Traditions, in Converging Streams: Cross-Cultural Exchange in the Native American and Hispanic Art of the Greater Southwest, edited by Will Wroth and Robin Gavin Chapter in book 
That they be in the middle, Lord: Women, Weaving, and Cultural Survival in San Pedro Chenalhó Chapter in book 
That We May Serve Beneath Your Hands and Feet: Women Weavers in Highland Chiapas in Crafts in The World Market: The Impact of Global Exchange on Middle American Artisans, edited by June Nash 
Perspectives on Anthropological Collections from the American Southwest (ed.) 
Recycled Reds: Raveled Insect-Dyed Yarns in Blankets of the American Southwest, in A Red Like No Other: How Cochineal Colored the World, edited by Carmella Padilla and Barbara Anderson Other Books By - Ann Lane Hedlund
Wool Yarns in Late Classic Navajo Blankets. American Indian Art 28(4) Three Southwestern Textile Traditions, in Converging Streams: Cross-Cultural Exchange in the Native American and Hispanic Art of the Greater Southwest, edited by Will Wroth and Robin Gavin Chapter in book 
The Barbers of Burnham: A New Breed of Navajo Weaver. Persimmon Hill 25(4) 
Speaking For or About Others? Evolving Ethnological Perspectives. Museum Anthropology 18(3) 
Searching for Tapestry’s Identity: Gloria F. Ross as Tapestry Editor. Shuttle, Spindle & Dyepot 42(1) Article 
Reflections of the Weaver’s World: The Gloria F. Ross Collection of Contemporary Navajo Weaving Book 
Navajo Weaving from the Santa Fe Collection, 1971-1996 
Navajo Weaving in the Late Twentieth Century: Kin, Community, and Collectors Back