Early Navajo Artistry in Tapestry. International Tapestry Journal 3(2)
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Women’s Cooperatives in Chiapas: Strategies of Survival and Empowerment in The Journal of Social Development Issues, Vol. 24, Issue no.3, 2002
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Wool Yarns in Late Classic Navajo Blankets. American Indian Art 28(4) 
Where Do Boundaries Come From? International Gallerie (Mumbai, India), vol.1, no.1, 1998 
Wedge Weave Textiles of the Navajo. American Indian Art 16(3) 
Valley Women a Force in Change. Poughkeepsie Jrnl, Nov. 14, 1999. 
Understanding Chronology in Historic Period Navajo Textiles: Red Dye Analysis. SAS Bulletin, Newsletter of the Society for Archaeological Sciences 30(1)
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Tracing an Irish Widow’s Journey: Immigration and Medical Care in the Mid-Nineteenth Century. Geoforum vol.26, no.3 (1995)
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The Politics of Pastoralism: Navajos, Churros, and the Challenges of Sustainability in a Globalizing World. Textile Society of America Proceedings 
The Refining of a Domestic Art: Surayia Rahman 
The First Lady’s furniture factory in Options Unltd., Spring 1999 About the author
[books_gallery_author author="Ann Lane Hedlund"]Other Books By - Ann Lane Hedlund
Three Southwestern Textile Traditions, in Converging Streams: Cross-Cultural Exchange in the Native American and Hispanic Art of the Greater Southwest, edited by Will Wroth and Robin Gavin
Chapter in book
The Barbers of Burnham: A New Breed of Navajo Weaver. Persimmon Hill 25(4) 
Speaking For or About Others? Evolving Ethnological Perspectives. Museum Anthropology 18(3) 
Reflections of the Weaver’s World: The Gloria F. Ross Collection of Contemporary Navajo Weaving
Book
Searching for Tapestry’s Identity: Gloria F. Ross as Tapestry Editor. Shuttle, Spindle & Dyepot 42(1)
Article
Perspectives on Anthropological Collections from the American Southwest (ed.) 
Recycled Reds: Raveled Insect-Dyed Yarns in Blankets of the American Southwest, in A Red Like No Other: How Cochineal Colored the World, edited by Carmella Padilla and Barbara Anderson 
Navajo Weaving from the Santa Fe Collection, 1971-1996 
Navajo Weaving in the Late Twentieth Century: Kin, Community, and Collectors Back